ما چو چنگیم و تو زخمہ میزنی
We are like Sarangi (stringed
instrument) and you hit with sticks
زاری از مانے تو زاری میکنی
We are not crying, it is you
who is crying
ما چو نایم و نوادر ما ز تُست
We are like flute and the sweet
sound is of yours
ما چو کوہیم و صدا در ما ز تُست
We are like mountains and the echo
is from you
ما چو شطر بخیم اندر بُرد و مات
We are like chess in losing and
winning
بُرد و مات ما ز تُست اے خوش صِفات
O’ with beautiful attributes,
our loss or gain is with you
Maulana Rum digresses here towards Allah and starts describing the
contents of oneness of Allah (توحید). The connection develops from the content of
just previous couplets, where crying was termed as natural and beyond one’s
control. Now the same content is being stressed and discussed that similar is
the position in all other actions as well, because our control is merely
imaginary, whereas, the real controller of our actions is Allah only. And we
are without any control in this whole creation and hence he says that O, Allah,
our position is like a sarangi (a stringed musical instrument) and You are
hitting with sticks to produce sweet sound. Thus You are the creator of our actions
and therefore, apparently actions are being performed by us but these are
effectively from You only. In this regard, if we crying (زاری),
it is effectively from You because of being Creator. These are attributed to
Allah merely being the Creator of the actions but these are being acted upon by
the servant (human being). As a logic for reason in this couplet, زاری می کنی
is said as has been narrated from a Hadith that Allah will ask one of His
servants at the day of Qayamah:
استطعمتک فلم تطعمنی
I asked food from you, but you didn’t give
Similar question will be raised for water and clothes, then the
servant puts forward that You are above all these things. The meaning of this
was then declared that so and so servant of Mine asked you for food, water or
clothes and if you have given him then, you would have got here. In this Hadith,
the action of asking food, which is an action of the servant, was attributed
figuratively towards Allah. Likewise, Quran (75:18) says:
So when We have recited it [through Gabriel], then follow its
recitation.
Here, recitation by Gabriel has been attributed towards Allah and
on similar lines, Maulana states زاری می کنی. Same context is mentioned in another
example that we are like flute and the sweet voice that come from it is from
You, like the sound of flute is from the one who plays it. In the third
example, it is said that we are like mountains and the echo that is produced is
from You, like the echo from mountains is actually from the one who calls. The fourth
example is that our example is like chess, where the loss or win depends on the
moves of the player and similarly, our loss and win i.e. those actions which
define our being dominating or being dominated are from You only in view of
Your being the Creator, as discussed above.
The objective of Maulana in these couplets is teachings of meditation
of Tauheed and the gist is that one should keep remembering that complete
actions, movements, gestures, changes etc. of our and all other creatures are
effective from Allah only.
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